There was nothing predictable about David Bowie – everything was designed to intrigue, to challenge, to defy all expectations. But perhaps no period in David Bowie’s extraordinary career raised more fascination, more surprise, and more questions, than the last five years.
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The First Monday in May follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.
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Petra Epperlein and Michael Tucker (Gunner Palace, The Prisoner or: How I Planned to Kill Tony Blair) take a powerfully personal journey through the former East Germany, as Epperlein investigates her father’s 1999 suicide and the possibility that he may have worked as a spy for the dreaded Stasi security service.
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