An action-packed horror comedy, BLOODSUCKING BASTARDS stars Fran Kranz as Evan, a dutiful and overworked employee stuck at a soul-killing corporation with his beautiful co-worker and girlfriend Amanda (Emma Fitzpatrick) and his slacker best friend Tim (Joey Kern). Evans world begins to crumble when Amanda dumps him and his boss Ted (Joel Murray) hands his coveted promotion to his nemesis Max (Pedro Pascal). When his office mates start going through disturbing changes, Evan must find a way to stop the evil brewing admist the cubicles, and rescue his workplace pals before his life and career go from dead-end… to just dead.
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Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
Roger (Taran Killam), a straight-laced politician has big plans to propose to his dream girl (Gillian Jacobs) at her family’s lake house. But everything goes awry when he meets his potential brother-in-law Todd (Bobby Moynihan): a full-time camp counselor with a heart of gold and a wild sense of fun, pining to be Roger’s best friend, and ultimately catapulting him into a series of unfortunate events. As Roger tries to take a stand amidst outrageous fishing excursions, propulsive water jetpacks and American history-themed musicals, he realizes that being a part of a new family may be more difficult than he’d thought.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
A search and rescue team are transported through deep space to a distant mining colony to save the sole survivor of a biological outbreak. During their mission, they find a lethal weapon which is set to arrive on Earth within the hour.